CURRENT EVENTS

Having returned from my long research trip to the Tokyo University of the Arts, I am currently busy making new plans, which includes applying for two marvelous public art commission opportunities, preparing an upcoming exhibition at the Hubei Museum of Art in China, and preparing a presentation about my experience in Japan:  the new techniques I have learned, and what it was like to work with the great Japanese masters and the instructors and students in the program.

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28 September – 21 October 2010 

Three of my 2006 artworks (Effectual Interpretant, Shreds of Kisses, and The Sleeve of Night and Morn) will be exhibited at the Hubei Museum of Art, which is organizing the first edition of an international lacquer triennial exhibition. Its 2010 theme is “World of Lacquer: Material, Process, Spirit.” At the Museum’s invitation, I will attend the exhibition’s inauguration.

 
 2010 China Hubei International Lacquer Triennial Exhibition

Presided by Mr. Fu Zhongang, Director of the Hubei Museum of Art, and curated by Pi Daojian, Chang Tsong-Zung, and Chen Qinqun

Hubei Museum of Art, Wuhan, Hubei, China

Early 2011

Curator Atwell has invited me to exhibit the new urushi work I am now working on in my studio.  These are rectangular paintings of varying dimensions.

 

 Nhat Tran: New Urushi Work (provisional title)
Curated by Michael Atwell

Eric Dean Gallery, Fine Arts Center, Wabash College

P.O.Box 352, Crawfordsville, IN 47933

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RECENT EVENTS

10 April to 18 July 2010

Guest Researcher at the Tokyo University of the Arts (Geidai)

A rare and wonderful opportunity was offered to me! The Department of Crafts at the Tokyo University of the Arts invited me to spend a good three months as a guest researcher so that I could learn Japanese urushi techniques under the mentorship of Professors Arisumi MITAMURA and Norihiko OGURA, both internationally recognized masters of urushi art. This was a dream come true! I learned a very great deal about urushi directly from the very best specialists. The trip was full of challenges, but very rewarding in every respect. Before leaving, I had been learning the Japanese language thanks to a wonderful teacher, Black Sensei, who directs Kanji Camp in Carmel.

At the end of May, I accompanied Professors Mitamura and Ogura and their colleagues for a brief trip to China. We attended “Walking from the Age of Hemudu,” the Third International Exhibition of Chi Art and Academy Conference co-sponsored by the Fujian Art Museum and the Fujian Art and Craft Society, which took place from May 28 to June 8, 2010, at the Fujian Art Museum in the city of Fuzhou. One of my 2010 works, Dance Away, Emotion, was exhibited there as well thanks to the encouragement of my Japanese professors!

9 September to 1 October 2009

TRIP  TO  JAPAN

Thanks to the Creative Renewal Arts Fellowship I have received from the Arts Council of Indianapolis, I spent three weeks in Tokyo and other Japanese cities where I met many fantastic people: highly reputed professors of urushi at the University of Tokyo and renowned urushi artists who have all accepted to receive me, show me their artwork, and discuss their techniques. It was such an honor and privilege to talk to them. This was a wonderful journey of discovery, which made me expand my knowledge and my circle of Japanese artists-friends. I was accompanied by my very good friend Barbara Ford, who's Research Curator of Asian Art at the Metropolitan Museum in New York.

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June 20 to October 18, 2009

Curator Perry presents a double exhibition that, in her words, explores the efforts of past artists (who belonged to the “Society of Midwest Artists”) and contemporary Hoosier artists to establish reputations and careers of national and international standing in spite of many challenges. Three works of mine are included: A Bouquet for You, on loan from the Smithsonian’s Renwick Gallery; Inclination to Believe, my first lacquered sculpture; and Attached, Detached, my latest creation (June 2009).

 

Making it in the Midwest: Artists Who Chose to Stay 

Curated by Rachel Perry

Indiana State Museum

650 W. Washington • Indianapolis, IN 46204

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May 8, 2009

Great news! I am pleased to announce that I have been awarded a Creative Renewal Arts Fellowship from the Arts Council of Indianapolis! The Creative Renewal program, funded by Lilly Endowment Inc., is a two-year grant program. The first round of fellowship recipients was announced in 1999, and I had the honor to be one of them. Subsequent rounds took place in 2001, 2003, 2005, and 2007 and the sixth round just now, in 2009. Awards of $10,000 are made to each of 40 selected artists and arts administrators. “The program is designed to celebrate the work of individual artists and arts administrators and offers the participants unique and challenging ways to renew and refresh their creativity.

 

 Dreaming in Vivid Color: Opening Reception for the 2007-2008 Creative Renewal Arts Fellows

Arts Council of Indianapolis’ Creative Renewal Exhibition and Retrospective (2007 round of fellows)

The 2009 round of fellows was recognized on the opening day of the exhibition, on 8 May 2009 at 6:00 p.m. at the Indianapolis Arts Center

 820 East 67th Street
Indianapolis, IN 46220

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January 23 to March 21, 2009

The Art Museum of Greater Lafayette selected Nhat as one of the regional artists “whose work is expected to become more important through the coming years.”

A couple of generous art-lovers  purchased one of her artworks on display and donated it to the museum’s permanent collection.

 

Art for a New Century: Works Desired for the Permanent Collection

Curated by Michael Atwell

Art Museum of Greater Lafayette

102 South Tenth St • Lafayette, IN 47905


 
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